Showing posts with label dslr lenses. Show all posts
Showing posts with label dslr lenses. Show all posts

Friday, January 27, 2012

Think Tank Airport Acceleration backpack review

Think Tank Airport Acceleration v2 review


The Think Tank Airport Acceleration v2 is a camera backpack designed to accommodate two pro DSLRs, several lenses including a 500mm f4, and a 15in laptop, while looking discreet and complying with most airline carry-on restrictions. It sits between the smaller Airport Antidote v2 and the larger Airport Addicted v2 in the Think Tank backpack-without-wheels range.

I needed a serious camera bag for a trip to Florida to photograph a Space Shuttle launch which had to meet several key requirements. First, I would be carrying three entry-level to semi-pro DSLR bodies, along with three lenses, one of which would be a hefty 500mm f4 model. The bag would also need to accommodate numerous accessories including a laptop.

Packed full of valuable equipment, the bag needed to confidently protect its contents while also not revealing their identity to potential thieves, and with no desire to check it in, the bag also had to meet airline carry-on requirements. While hard sides and wheels would be beneficial for toughness and ease of urban transportation, NASA's additional security demands ruled-out both.

These requirements quickly narrowed my choices down to a handful of models, all of which I hope to evaluate in the future. Starting with two of the major players, I essentially had to choose between the Lowe Pro Trekker or Think Tank Airport ranges. Interestingly while the larger options from each range would meet my requirements, they did so with quite different styling: Lowe Pro's Trekker bags look more like traditional hiking backpacks, whereas Think Tank's Airport bags are quite business-like in comparison. I decided I'd test one from each company, starting with the Think Tank Airport Acceleration v2 here.


I chose the Airport Acceleration v2 over the versions on either side of it based on capacity. I wanted the smallest possible bag which could accommodate all my gear, and in particular the 500mm f4 lens. While the smallest Airport Antidote bag could impressively accommodate a typical 400mm lens, it was too tight a squeeze for a 500mm f4. Conversely, while the largest Airport Addicted bag could easily accommodate my gear including the 500mm f4, it did so with space to spare. So I opted for the middle option of the Airport Acceleration which turned out to be a perfect fit: it's not too large, yet manages to squeeze in the 500mm f4L while mounted on a body, while accommodating another body and lens alongside.

Think Tank Airport Acceleration v2 packed for launch


Before going any further, here's a photo of the Think Tank Airport Acceleration v2, fully-loaded with all my equipment for the trip: a Canon EOS 7D and two EOS 600D / T3i bodies, along with EF 500mm f4L, EF 70-300mm f4-5.6L and EF-S 10-22mm lenses. There's also the two Rode microphones, a PowerShot S95 and a pair of small binoculars in there, along with a Samsung Netbook in the outer sleeve (although room for something much larger if desired).


Outer design and straps


The main bag itself has external dimensions of 47x33x18cm and maintains its depth across the entire width and length, unlike a typical backpack which gradually tapers-in at the top. As such, it maximises its internal area, but equally looks quite boxy when worn on your back. The external material feels tough and features a layer of internal padding about half a centimetre thick. The bag weighs between 1.5 and 3.2Kg depending on the configuration of supplied straps, tripod attachments, laptop sleeve and internal dividers. A waterproof cover is also supplied, packed into a small pouch.

Almost the entire outer rear surface is padded for comfort on your back, although the padding also serves to hide and store the shoulder and waist straps if desired. The outer sides of the padding lift open, allowing you to slide the shoulder straps in, before the padding is velcro'd back in place. Meanwhile, a wider channel running along the lower part of the rear surface can accommodate the waist strap. With all the straps 'packed' away, the bag looks surprisingly neat and boxy, and some may prefer this configuration for transportation in planes or through x-ray machines. You can however unpack the straps in seconds when required. The waist strap can also be removed entirely if preferred.

The shoulder straps aren't as sculpted as the most innovative backpacks, but are reassuringly wide and well-padded, not to mention securely attached to the main bag. Each strap features a D-ring and a thin stretchy pocket for small accessories. Finally, a smaller (vertically adjustable) strap provides additional support across the top of your chest if desired.

Substantial padded handles are attached to the top and the side of the bag, allowing you to easily carry or manoeuvre the bag into position into luggage storage. Below the upper handle is a small zippered-pocket designed for passports and tickets, which is handy storage when passing through airport checks. On top of this is a small window for an address or business card. It's tempting to stuff these pockets full of items, but they quickly mount in thickness, in turn making it harder to comfortably grip the handle. The pocket is also not quite wide enough to hold most airline tickets without folding, at least across the perforated section before boarding.


Side mounting and tripods


On the opposite side to the second handle you'll find a large stretchy pocket designed to grip small water bottles or the base of small tripods. Occupying roughly one third of the side of the bag, the pocket certainly looks big, but in use you may find it only accommodating smaller items - my 70mm diameter Klean Kanteen water bottle is quite narrow, but stretched the pocket to its limits, while also dangling precariously at times. Try and squeeze all three legs of even the smallest tripod in there and you'll struggle, but to be fair in use you'll actually only slip two of the legs in the stretchy pocket, and leave the third dangling on the outside.

Think Tank provides a number of additional straps to hold tripods securely in place. Two thinner straps slide through channels on the side of the bag and wrap around tripod legs to hold them tightly in position, while an optional foot 'cup' hangs from the side with an adjustable strap to accommodate larger tripods.

The largest tripod you'd want to carry on the side of the bag would be in the Manfrotto 190 class. Two of its legs will slip neatly into the stretchy side pocket, leaving the two straps to hold it in place. Larger models can be accommodated using the foot cup, but once they start getting too big and heavy, they'll make the bag feel unbalanced on your back - so for comfort and stability, I wouldn't personally strap anything much bigger than a Manfrotto 190 on the side.

Front pocket and laptop accommodation


The entire front surface of the bag is home to a single large unpadded pocket which can be used for a thin jacket or jumper, a 17in laptop in a thin sleeve, or more commonly, the supplied laptop sleeve / shoulder bag. This is one of the cleverest parts of the overall design, as the presence of the supplied laptop sleeve or lack-of, transforms the look and size of the bag as a whole.

The laptop sleeve features a padded main compartment which can accommodate a 15in model with ease; slot a smaller laptop inside and you'll have room for a decent-sized book. The rear side of the laptop sleeve has a thin pouch for A4 documents or a magazine, held closed with velcro. The front side has a zippered pocket that's shorter but thicker. The sleeve itself comes with a removable shoulder strap, so you can use it as a standalone laptop bag if desired.

With the laptop sleeve packed full, it'll add around 7cm to the thickness of the overall bag, taking it to around 25cm in total. In this configuration the bag looks pretty large and may not comply with airline carry-on restrictions. The clever part is the sleeve can be removed in seconds, allowing the front pocket to fold flat and reduce the bag thickness back to 18cm. This makes the bag much smaller, not to mention lighter, and allows it to comply with most carry-on regulations. Meanwhile the laptop sleeve will be accepted by most airport x-ray operators without having to remove the actual computer. As such you can approach the x-ray area with the bag on your back, then simply pull out the laptop sleeve for separate scanning, then slot it back in again on the other side. Then when you reach the aircraft, you can judge whether you need to remove the sleeve again in order to fit the bag into the overhead compartment or under the seat in front.

I did this entire process several times during my trip to the US and found it faster and easier than previous bags I'd used. The only weak point in the chain is the basic clip on the front of the main pocket which can open pretty easily, allowing access to the sleeve within. Think Tank has already anticipated this by including a security cable and padlock which is attached to the main bag via a small zippered section in the main pocket flap. Ultimately a more secure clip for the front pocket may be preferred by some, but it would in turn make the bag thicker and could catch on tight luggage compartments; as compromises go, it's not all bad.

Inside the bag



A reassuringly heavy-duty zip allows the entire front surface of the bag to open to reveal the contents. ALl the zippers on the bag have cables which allow you to easily pull them open and shut, while the zippers for the main compartment also feature metal holes if you'd like to fit a padlock.

Like most backpacks, you'll need to remove the bag from your shoulders before opening it to access anything. The access is also conventionally from the front of the pack, which theoretically could allow someone to open it while it's on your back. Some prefer solutions where the main compartment opens from the rear for greater security.

Once opened, the benefit of a boxy design becomes clear as there's not a single bit of wasted or unusable space. The internal dimensions are only around 1cm smaller than the external dimensions, giving you a volume of 45x31.5x17cm to play with; again unlike traditional backpacks, this 17cm depth is maintained throughout the entire compartment, providing great flexibility.

Think Tank provides the bag with a wealth of well-padded dividers allowing you to configure the inside exactly as desired. The width can accommodate two small-to-medium sized DSLRs side-by-side, both with lenses attached; the depth allows many lenses to be stored vertically to save space, while the length is sufficient to contain a Canon 500mm f4L lens while mounted on a body. You really can get a lot of kit in this bag and position it for quick and easy access. The inside of the main flap features two see-through laminated mesh pockets for small accessories.


--------------------------------------------------------------------------------------------------
Liked this? Then share this page and subscribe to get the top stories of the week, plus the most popular reviews delivered straight to your inbox.

And don’t forget to give us your suggestions in the comments!


View the original article here

Saturday, January 21, 2012

Nikon D4

The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content

Jan. 6, 2012 – PRNewswire: The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.





Nikon presents their new flagship DSLR: The D4

Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color.

Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.
“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”

Velocity Meets Versatility:

Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.

The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines, photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.

The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4's on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.

All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.

Image Quality That Hits The Mark:


The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.

Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3 micron pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.

Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.

There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.

Professional Multimedia Features:

The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.

Full HD video recording – Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.


Full manual control of exposure – Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.


Uncompressed output: simultaneous Live View – By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.


Audio recording for professionals – The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.


Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes – Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.


Simultaneous live view output without display / simultaneous monitor – Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.


Full-time AF – In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.


New LCD screen – The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. Users can also zoom in up to 46x to check critical HD focus.


Time lapse shooting – This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.


Remote shutter operation – Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.


NIKKOR lens compatibility – The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.

Professional Construction, Superior Operability:

 The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.

The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4's moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.

Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.

Price and Availability:

The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.


--------------------------------------------------------------------------------------------------
Liked this? Then share this page and subscribe to get the top stories of the week, plus the most popular reviews delivered straight to your inbox.

And don’t forget to give us your suggestions in the comments!


View the original article here

Thursday, January 19, 2012

What Type of Lens to Use for Specific Situations?

The lens is the “eye” of your camera and plays the key role in capturing clarity, color and details of each image. Whether you are a specialized or a beginner photographer choosing right lens will definitely elevate your photography. With a point and shoot type of camera the lens is fixed which cannot be removed or replaced. Digital SLR cameras offer lens mounts where you can swap and use different type lenses.


"photographer" captured by Chanmee Gloria Kim (Click Image to See More From Chanmee Gloria Kim)

Before diving into available types, the definition of focal length and the extend of the reach will help to clarify digital SLR lenses. When the subject of an image is in focus, focal length measures the distance between optical center of the lens and the digital camera sensor. It is measured in millimeters and displayed on the actual lens. For example a standard focal length is expressed as 1.4f.

Another useful information found on a lens is the extend of its reach: (From 35mm- To 80mm),(50-100mm), (200-400mm),and so on.

AVAILABLE TYPES:

Lens types are classified as “Prime” which comes with fixed focal length and “Zoom” which has variable focal length.

Prime includes sub group of Standard (35- 80mm), Wide-Angle (15-28mm), Macro (50-100mm), Telephoto (80- 300mm) and Super Telephoto lenses (200-400mm).


Zoom comes with variations like: Wide-Angle to Telephoto or Standard to Telephoto coverage.

Even the point and shoot type of digital camera comes with a Standard 35- 80mm lens. Standard lens is also known as “normal-lens” The term “normal” is used for this type because it captures a scene just as the human eye sees it. Standard lens is great for everyday shots, such as flowers, people, or pets.


Wide-angle gives a broader view of a scene than a standard lens does. Because this lens captures a wide area it is used for photographing groups of people and landscapes.


Telephoto is used to enlarge pictures or for bringing distant subjects closer. A common telephoto comes with 75- 300 mm coverage. When you begin to move from the 35mm into something larger it is best to either use a tripod or a stabilizer. A stabilizer will help you hold the camera steady for clear shots even if your hand moves a little bit.


Super telephoto comes with 200-400mm lens. It is mostly used for capturing wild life or birds.

A Macro lens is designed to capture a tiny subject as a bigger image. Macro Photography is a type of shooting that magnifies the size of a subject. As it name implies it is great for close up shots, such as flowers, spider webs, insects and other small objects.


Digital zoom simply crops the image to a smaller size, and then enlarges the cropped portion to fill the frame.


Optical zoom works just like a digital zoom. The lens changes focal length and increase magnification as it is zoomed.

HELPFUL VIDEO ON THIS TOPIC:


What of lens should you use ?

  • For general shots like People, Pets, Flowers choose Standard.
  • For Large Group of People use Wide Angle.
  • For Landscapes use Wide Angle.
  • For Architecture Shots choose Wide Angle.For Action and Sports use Telephoto.
  • For Portraits the Standard lens works best however you can also use Telephoto.
  • For Wild Life and Bird Photography use Super-Telephoto.
  • For Close-Up shots and Tiny objects use Macro.

In the photography world lenses are maybe a small piece of equipment but they help to capture “better images”.

About the Author:
Zoe Shaw is from digitalphotoworks.net. Click here for more free digital DSLR tips and techniques.


--------------------------------------------------------------------------------------------------
Liked this? Then share this page and subscribe to get the top stories of the week, plus the most popular reviews delivered straight to your inbox.

And don’t forget to give us your suggestions in the comments!


View the original article here

Thursday, January 12, 2012

CES 2012: Fujifilm announces X Pro 1 lenses and accessories



Fujifilm has announced more details about upcoming accessories that will be available for the newly released interchangeable lens camera, the X Pro 1.
As well as a small grip to give better purchase on the body, a flashgun called the EF-X20 has been unveiled. Designed to compliment the X-series and with a guide number of 20m, the flash features automatic and manual control which is selected via a dial on the top.






Anybody with existing Leica M lenses, or with a strong urge to buy some, will be pleased as it has been revealed that an M mount will be available. This means that photographers will be able to invest in a camera body which is expected to be only a fraction of the price of the M9 while still using Leica optics, which are famed for their high quality.
For mere mortals without extremely deep pockets, several more lenses will also become available this year and in 2013. First up are a 14mm and 18-72mm f/4.0 zoom lens.

Looking ahead
In 2013, two more primes in the shape of a 28mm f/2.8 and 23mm f/2 will be joined by a 70-200mm f/4.0 Image stabilised and 12-20mm f/4.0 image stabilised lens.
All of the lenses are subject to change depending on customer feedback, so don't send your pre-orders in just yet.
The X Pro 1 is Fuji's first interchangeable lens camera since 2006 and features an APS-C sized sensor which thanks to technology drawn from the firm's analogue heritage is apparently capable of out resolving a full-frame sensor. As yet there are no prices available for the camera, lenses or accessories.


------------------------------------------------------------------------------------------------------------
Liked this? Then share this page and subscribe to get the top stories of the week, plus the most popular reviews delivered straight to your inbox.


View the original article here