Showing posts with label Photographer. Show all posts
Showing posts with label Photographer. Show all posts

Tuesday, February 07, 2012

The Difference Between an Amateur, Freelance, and Professional Photographer

by Sean Farmer

I’m a professional photographer, with the equipment, studio, and taxes to prove it. I wasn’t always a professional photographer, however. Once upon a time I was an amateur/hobbyist photographer. Making the transition from an amateur photographer to that of a professional photographer is probably the most illusive aspect of being a photographer, and is idolized by a simple term. That term being: “Freelancer”.
Now this can be confusing to many who seem to have the impression that professional photographers are freelance photographers, especially when many professionals claim to be such. So to put it as simply as possible, the main aspects that define the difference between these three are: The type of equipment used, comprehension of photographic technique, style of work, and profitability. The difference between the three types of photographers is what truly sets the status and state of your self and your work.


Amateur Photographers

This is probably the broadest category of photographer, simply because it’s all inclusive of whoever doesn’t fall within the realm of the other two categories. Amateurs include anybody with a point-and-shoot camera and those with excessively low grade SLR cameras, who typically take “party pics”, shoot on a “for fun” basis, or only ever shoot their friends. Many of those who fall under this category are either still learning and/or mastering basic photographic technique or simply don’t care about technique. Probably the absolute most defining aspect of this group is simply that those under its realm do not (and usually cannot) make a living based from photographic endeavors.


If you are using a Point and Shoot Camera like this, You will always be an Amateur. Image by


Professional Photographers

Professional Photographers are the smallest type of photographers, but the most commonly misrepresented. These people have worked hard and show it in not only their mastery of basic photographic techniques, but also in there own independent styles and techniques. Usually people on this level have their own high-end equipment, studios, and private high profile clientele, and maintain their standard of living (and usually well-exceed it) based only on their photographic endeavors.


Professional photographers tend to specialize in a certain aspect of photography such as studio photography. Image by


Freelance Photographers

The in-between class of photographer, those in this group typically suit a large range of clientele, both personal and commercial, and maintain a high quality of equipment to pursue such. This status is typically reached after mastering all basic photographic techniques, and characterized by the in progress development of personal styles and techniques of their own. Freelance photographers usually cannot live well off their income, but can easily supplement it through there photographic endeavors.


Working as a Freelancer can feel like a competition of abilities and wills. Image by

Now you might be wondering why I felt it was necessary to classify and define these three groups, and the answer is simple. There is no mention of artistic ability within any of these classifications. How amazing your photographs are does not define what level your on. I have personally seen a 10 year old pick up a camera and within 10 minutes shoot professional-grade photos. Your ability is your ability, but identifying your standing as a photographer will help teach you what you need to learn and work on to become the professional photographer that you want to be. I only recently transitioned into that of professional photographer after many years of hard work as a freelancer, but most photographers have yet to move on from that of amateur status.


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Thursday, January 19, 2012

Wedding Photographer Assistant Tips


Photo captured by Tatiana Garanina (Click Image to See More From Tatiana Garanina)

Before I go into what the requirements are on the wedding day from a second photographer, it would be a good idea to think about what should be considered before the day.

First things first, you may be someone who is trying to get work as a second photographer to get started in the industry before launching into a wedding as a lead photographer.

This can often be difficult so be prepared to travel to an area outside what would be considered your territory. Photographers are business people and are always wary of training a competitor, but they may also be looking for a regular second who they can trust and work with.

Find out about the principal photographer’s style. The main photographer will have been booked based on things such as style of images, personality and customer service. So it would be sensible to find out a bit about the lead. Find out their dress code and be respectful of it even if it is not your normal dress code.
Prepare your equipment, make sure it is clean, batteries charged, cards formatted if using your own and find out if the principal photographer requires your cameras time to be synchronized.

So on the day, make sure you are very punctual, fairly obvious really, but if it is somewhere you haven’t been before do a bit of preparation to know the area. Google street mapping is often a useful tool for research and during my time as a wedding photographer in Lancashire, it has proven to be invaluable. Then comes the time meeting the wedding party for the first time. Be confident, polite and respectful to everyone, including other vendors that are part of the day. You may be thinking this is all obvious, but little things can often be forgotten when nerves and pressure kick in.

Now we come to the working side of the day and I will break these down to bullet points. There may be other things that can be added to the list, but these are the ones that I consider important.

IMPORTANT TASK TO CONSIDER

  • Be an assistant to the main photographer. Running errands, gathering guests for groups, moving kit around, watching kit, hold reflectors, flashes, video lights and generally any task that is asked of you.
  • Get the shots you are asked to get and inform the lead when you have them.
  • Take the camera away from your eyes and look around for the reportage shots, kids playing, different angles that can make a shot look natural and details that the main photographer may not see.
  • Watch for things that the main photographer may miss, background distractions is one example.
  • Get detail shots that may be of use for album design as background images.


 "Karina & Roman" captured by Elena Zotova (Click Image to See More From Elena Zotova)

  • Be prepared to take the lead in the event of main photographer having to break away. This may be the scary part, but act with confidence and it will be fine.
  • Be aware of what the main photographers plans are, remind him/her if you think something has been missed. It will be appreciated that you are showing you are thinking about what is happening.
  • Finally for the ‘to do’s, think ahead. If you think the need for a reflector is coming, get it to hand, if you know the need for a tripod is coming, get it and extend the legs in preparation, but most importantly, learn something every time and enjoy it. You will be part of a team so make sure you work that way.

NOW FOR SOME OF THE DO NOTS:

  • If you have your own photography business, don’t give out your cards or try and drum up your own business. They are not your clients and that is to be respected at all times.
  • Do not shoot like the paparazzi unless you are specifically told to. The main photographer would rather a smaller set of well executed, high quality shots than a thousand shots taken in the hope of 20% being successful.
  • Do not just shoot over the shoulder of the main photographer to get some portfolio shots unless permission has been gained. It can be very off putting if it hasn’t been discussed. If it has been agreed in advance, then the main photographer will have just to inform clients that some training is taking place.
  • Do not publish images on blogs etc without permission from the main photographer. If permission is given, credit the main photographer. The copyright remains with the photographer/business that you are working for.
  • Do not chew gum, smoke, drink alcohol, swear etc if that is what is requested by the main photographer.


"Olga" captured by Olesia Kliots (Click Image to See More From Olesia Kliots)

So these are just a few of the basic things to be considered and this list can be added to. So hopefully this may be of help to some and that it will help you to be an asset if you are a second shooter at any time.

About the Author:

Paul Brown produces quality wedding photography in Lancashire and is also a principal wedding photographer with Yorkshire & Lancashire wedding photographer, Mark Pearson Photography.

The 2nd photographer may also need to take over if the lead photographer has an urgent issue or emergency come up. Such as in this case where the primary photographer was caught off guard by a fountain


Good luck and have fun.


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